Professional Podcasting Equipment Sales
The PreSonus StudioLive 16.0.2 Performance & Recording Digital Mixer is a compact yet powerful digital mixer with a 16 x 16 FireWire interface for direct recording with a Mac or Windows based DAW software. Its small 16 x 15.5″ (406.4 x 393.7mm) frame features 16 inputs with 8 mono mic/line balanced inputs and 4 stereo line input channels, all fitted with 60mm precision faders. All mono input channels feature PreSonus’ high-headroom, XMAX class-A mic preamplifiers, for maximum gain, low noise floor, and detailed audio quality.
The StudioLive 16.0.2 is bundled with recording software and StudioLive Remote software is available for free download at the Apple App Store. StudioLive Remote enables full-duplex remote control with an iPad, iPhone or laptop, making it an ideal solution for use on stage, live sound reinforcement, remote recording and more.
The Mackie Onyx 1220i FireWire recording mixer gives you the power to mix on a familiar, classic analog console while sending audio to your computer via a fast, reliable FireWire interface. Certified by Mackie for use with all major DAW software, the Onyx 1220i opens up a new world of options for anyone interested in computer recording. In addition to an ultra-high quality 24-bit/96kHz FireWire recording interface, the Onyx 1220i mixer offers proven analog features like boutique-quality Onyx mic preamps, classic “British-style” Perkins EQ, and pre/post assignable aux sends, all of which can be flexibly routed via FireWire. The Onyx 1220i is a better way to record!
The Mackie Onyx 820i FireWire recording mixer gives you the power to mix on a familiar, classic analog console while sending audio to your computer via a fast, reliable FireWire interface. Certified by Mackie for use with all major DAW software, the Onyx 820i opens up a new world of options for anyone interested in computer recording. In addition to an ultra-high quality 24-bit/96kHz FireWire recording interface, the Onyx 820i mixer offers proven analog features like boutique-quality Onyx mic preamps, classic “British-style” Perkins EQ, and pre/post assignable aux sends, all of which can be flexibly routed via FireWire. The Onyx 820i is a better way to record!
The Allen & Heath ZED-14 live mixer gives you the quality you’ve come to expect from Allen & Heath in a compact 12-channel configuration. DuoPre preamps represent A & H’s latest technology, while flexible 3-band EQs on each mono channel feature tailored frequency and response. The ZED-14 gives you a variety of great input options, as well as easy USB connectivity for computer integration. Allen & Heath have made a live mixer that lives up to their stellar reputation with the versatile ZED-14, at a great price.
Apogee Duet‘s low-profile design makes it a perfect fit for your Apple-based home studio or laptop workstation. The Duet offers you 100% Apogee quality and clarity, with pristine 24-bit/96kHz audio resolution and ultra-clear microphone preamps for pro-level audio. Like the Ensemble, the Duet integrates seamlessly with Logic, Final Cut, Soundtrack Pro, and GarageBand software for the ultimate in stability. And it gets its power from your computer via its FireWire 400 connection, so you can take Duet with you anywhere to make incredible sounding recordings!
Apogee introduces Ensemble, a multi-channel digital audio interface designed specifically for use with Apple Macintosh computers. Ensemble is the first and only multi-channel audio interface to be controllable natively within Apple’s Logic Pro software, creating a complete, fully integrated professional hardware and software system for audio production on a Mac. Ensemble is the “Logic-al” choice for music production on a Mac!
Apogee Ensemble FireWire Audio Interface at a Glance:
- Custom engineered to work with new Macs and Logic Pro
- 36-channel simultaneous audio
- Maestro software for advanced control of Rosetta, AD-16X, and DA-16X
Custom engineered to work with new Macs and Logic Pro
Apple and Apogee worked closely to ensure the new Firewire Ensemble not only sets new standards for sound quality and performance but is also a natural extension of Logic Pro. Ensemble is the first all digitally controlled, professional audio interface, designed specifically for the Macintosh.
The Electro-Voice RE20 is the broadcast studio voice-over mic used by pros for years. The RE20 is smooth across a wide spectrum of frequencies, and because it’s a Continuously Variable-D mic, it’s virtually free of bass-boosting “proximity effect” when used close. An easy “bass tilt down” switch corrects spectrum balance for use in longreach situations or other bass attenuation applications, making it great for acoustic and electric bass and kick drum. The Electro-Voice RE20 is a studio and broadcast standard!
The Electro-Voice RE27N/D is a dynamic cardioid multipurpose microphone that delivers studio-quality condenser performance from a self-generating dynamic transducer. It has a switch-selected EQ; internal shock, pop, and wind protection; and exceptional sensitivity for high signal-to-noise ratio. Wide-range uniform frequency response: 45Hz-20kHz. Sensitivity: -51dB @ 1,000Hz. 3-year warranty. Requires phantom power.
The Heil Sound PR40 is a full-range dynamic microphone designed with the ability to reproduce frequencies as low as 28Hz, ideal for live sound, recording, and broadcast applications. The unique, copper-wound voice coil uses a mixed metallic magnet structure that creates a magnetic field 10 times stronger than most mics. Coupled with a large 1-1/2″, low-mass, quilted aluminum diaphragm, this makes for tremendous low-frequency response and low distortion throughout the PR40 mic’s wide frequency range. A unique dual pop screen design ensures that breath blasts never hit the diaphragm directly.
Neumann BCM 104 Emotion conveyed with technical perfection. This is the ideal which the Neumann microphones in the Broadcast Line have been designed to fulfill. The fine-tuning to the requirements of professional broadcast studios and the individual, functionally optimized design ensure that these are microphones of character.
Podcast Monitoring Headphones
The AGK-K240Studio is a long-time studio standard. Its advanced Varimotion transducers provide wide range, detail, and much higher sensitivity than comparably priced headphones. The semi-open design delivers rock-solid low end and accurate imaging. The K 240 Studio is the standard for precision listening in the studio. For over twenty years, professional engineers and musicians have made the AKG K 240 studio headphones the best selling and most widely used headphones in large studios, sound stages, and orchestras around the world. Reliable, comfortable and true, the K 240 Studio headphones from AKG lend well to professional and project studios alike.
AKG K 271 MK II dynamic, around-ear closed-back headphones provide incredible sound and comfort, and they’re ideal for recording and live monitoring applications. These headphones feature both leatherette and velvet earpads for great fit and maximum comfort. The AKG K 271 MK II headphones include a detachable 10′ straight cable and a 16′ coiled cable. They offer a frequency range from 16Hz to 28kHz, giving you great live and studio monitoring with the added functionality of single-ear use. If you want efficient, dynamic listening, you’ll appreciate the great sound you get from the K 271 MK II.
Telos HX1 The new Telos Hx1 represents the highest state-of-the-art in hybrid performance, with Telos processing technologies that take the POTS hybrid to a new level of consistently superior performance, regardless of telephone line characteristics.
Inside the single-hybrid Hx1, you’ll find advanced hybrid technology with new features that significantly sweeten and control caller audio. It comes standard with Auto-Answer, caller disconnect detection, sophisticated new audio-leveling and anti-feedback routines for enhanced open-speaker applications, call screening and line-hold features, front-panel send and receive audio metering, plus much more
Telos Hx1 Features:
• Advanced hybrid algorithms
• New symmetrical wide-range AGC and noise gate by Omnia, with adjustable gain settings
• Studio adaption and pitch shifter help prevent feedback in situations where open speakers are required
• Adjustable caller override improves performance and allows you to individualize the degree to which the announcer ducks the caller audio
• Digital Dynamic EQ and adjustable smart leveler keeps audio spectrally consistent from call to call
• New EQ High and EQ Low display meters
• Separate Send level and Receive level meters
• Status Symbols make life easier for producers and talent with their animated high-contrast icon display of line status
• Place caller on-hold via front panel button
• Auto-Answer with selectable ring count
• Worldwide disconnect signal detection. (loop drop, dial tone, or re-order tone)
• Input/output via analog XLR
• Input switchable between MIC or LINE levels .
Podcast Recording / Post Editing Software
Meet your personal recording studio. Record, mix, edit, and master audio faster and with more control than ever before. Use Adobe® Audition® software to create music, record and mix a project, produce a radio spot, clean up audio files, and much more. Whatever you do with audio, Adobe Audition 3 software helps you sound your best.